Sunday, May 29, 2011

The facts versus the good story


The Silence Beyond: Selected Writings
by Michael King
with an Introduction by Rachael King
published by Penguin NZ 
30 May 2011 



This book presents a slightly different impression of the author Michael King, the usually reliable historian and biographer, who as his daughter, novelist Rachael King, asserts in this interview with the Sunday Star-Times, was scrupulous with his facts in his published works, but he "never let them get in the way of a good story".
 
In person, as hail-fellow-well-met, and an outrageously wicked gossip, Michael often played fast and loose with the truth, as anyone who knew him well (and we count as a multitude apparently) will confirm. I observed personally that Michael used his sometimes shocking "inside" stories as a kind of social currency, to create a sense of mutual solidarity that acted as a strong "friendship" glue, and encouraged the reciprocal telling of tales and secrets. His anecdotes were told under "strictest confidence" of course, so that they could never be verified and never be rebutted.
 
In the pages of this new book of his selected writings and speeches, we see not only the careful and methodical researcher, we also get touches of the anecdotalist, with his carefully prepared off-the-cuff seeming soundbites honed for scandal and scuttlebutt, in which he could indulge his taste for myth-making when the rest of his career was ostensibly devoted to myth-busting. This divide between the dogged respectability of his published work and his mischievous scandal mongering in social situations is one that hasn't really been addressed formally. Some of his pranks and throwaway fabrications and exaggerations have unfortunately been taken seriously by people who have been unable to distinguish between Michael the chronicler of the tribe, and Michael the concocter of whoppers.
 
It was an interesting contradiction in the man Michael King that will one day I hope lead someone to undertake a very piercing and honest biography that explores his career as well as his fascinating and little-known personal life. For a man comfortable with the spotlight he kept a lot of things very private, including the family story told here at last in the essay that forms the title of the book. Rachael reports that despite being a biographer himself, Michael vehemently rejected the suggestion that he might let anybody else fossick through his life.
 
For the present, this book serves as a tasting plate of Michael's many interests, and as a fine tribute to his career, and as a reminder of the tragic loss we New Zealanders all sustained when Michael and his wife died so horrifically in a blazing car crash. For me picking up this book was a poignant experience, in revisiting the many years of shared experience with Michael as he wrote my aunt's biography and was in almost daily contact with her and her family and friends, and of the terrible shock of losing him only weeks after losing Janet. And now both Michael and Janet are in "the Third Place, where the starting point is myth" (Janet Frame).

Friday, May 27, 2011

"speaking for the bodies and minds locked up"


Women conquering new expanses of freedom

The current issue of the UNESCO Courier celebrates exceptional women speaking out against tyranny, fighting modern forms of slavery and breaking down social barriers that restrict women's freedom.

It's entirely appropriate that one of the role models held up in this issue as a "star in the galaxy" of women who fought personal and institutional oppression, and by her courage and determination overcame all odds in order to achieve international success, is Janet Frame, whose photograph appears on page 45, and who features in an article by Argentinian author Luisa Futoransky. Futoransky's heartfelt tribute to the New Zealand novelist and poet is a great example of the tendency of the facts about Janet Frame's real life to become an unassailable mythical narrative, but while there may be a few inaccuracies in her representation of Frame's life story, her admiration for Frame's courage and passion, and for her resistance to the attempt to silence her, is not misplaced:

"her forte was to scrutinise everything fearlessly." 

Thursday, May 26, 2011

rebellious angels who refuse to comply with mediocrity

From a review of the French edition of Towards Another Summer:
"c'est à l'albatros de Baudelaire qu'il faut comparer Janet Frame, dont les livres sont peuplés d'anges rebelles et de "princes des nuées" qui refusent d'obtempérer avec la médiocrité et qui s'escriment à traverser les miroirs sous le signe de la poésie, du merveilleux, parfois du fantastique."

Vers l'autre été
(2011)

Auteur: Janet Frame
Editeur: Joëlle Losfeld

 Janet Frame


Ma terre, mon île -(UN ANGE À MA TABLE, I)   - trad. de l'anglais par Anne Damour,
Parution le : 15 juin 2000 228 pages ISBN : 2844120520



Janet Frame

UN ÉTÉ À WILLOWGLEN (UN ANGE À MA TABLE, II) [2003], trad. de l'anglais par Françoise Robert . Nouvelle édition en 2011, 266 pages sous couv. ill., 125 x 185 mm. Collection Arcanes/Joëlle Losfeld (2011), Gallimard -mémo. ISBN 9782070787944. Parution : 10-03-2011. 10,50 €




Janet Frame


LE MESSAGER (UN ANGE À MA TABLE, III) [2003], trad. de l'anglais par Dominique Mainard . Nouvelle édition en 2011, 252 pages sous couv. ill., 125 x 185 mm. Collection Arcanes/Joëlle Losfeld (2011), Gallimard -mémo. ISBN 9782070787951. Parution : 10-03-2011. 10,50 €





 

In praise of the short story form


Virago Modern Classics Commissoning Editor Donna Coonan blogs about why she loves short stories:

Wednesday, May 25, 2011

"A mighty exploration of human consciousness"




C I T A T I O N

 

J A N E T  F R A M E



Janet Frame's writing is quite singular in directness of tone and assumption of shared mental experience. Concentration of observation in the author is returned to the reader with matching precision and power, and her writing sets off small explosions in the mind and imagination. As the body of her work has enlarged, one comes to understand it not just as a series of extraordinary insights into suffering and thought, but as a mighty exploration of human consciousness and its context in the natural world.


1986

In  1926 the American Academy of Arts and Letters created a foreign honorary membership "to strengthen cultural ties with other countries." It currently elects 75 distinguished writers, composers, painters, sculptors, and architects from around the world to become Honorary Members. The honorary foreign members have all the rights and privileges of membership except the right to vote. New members are inducted in a ceremony held in New York every May.
 
25 years ago this week Janet Frame was inducted as an honorary foreign member of the Academy. She attended the lunch and ceremonials, escorted by JK Galbraith who read the above citation. She was greatly honoured by this prestigious affirmation from her American contemporaries.

Tuesday, May 24, 2011

A daughter of Mark Twain

In 1979 Janet Frame received a letter telling her this:

6th October 1979


Dear Janet Frame


In recognition of
your outstanding contribution to
American Literature by your

Living in the Maniototo

you have been unanimously elected

A DAUGHTER 
of
MARK TWAIN



CYRIL CLEMENS
Editor
Mark Twain Journal

(Cyril Clemens was a distant cousin of Mark Twain and President of the Mark Twain Society.)

Some droll Mark Twain quotations:

"Against the assault of laughter nothing can stand."

"Biographies are but the clothes and buttons of the man. The biography of the man himself cannot be written."
 
"Fiction is obliged to stick to possibilities. Truth isn't."

"Get your facts first, then you can distort them as you please."

Thursday, May 19, 2011

L'immenso talento lirico e narrativo


Here's a link to a notice (in Italian) about Gridano i gufi, the new edition of Owls Do Cry in Italy, published by Neri Pozza:

Opera prima di Janet Frame, che ne rivelò l’immenso talento lirico e narrativo, Gridano i gufi è un romanzo corale che parla di amore, abnegazione, dolore e speranza, gioie e lutti con una scrittura ricca di pathos e commozione tra le più alte della narrativa femminile di tutti i tempi.